Critical Writing
Marquee Moon, 2013, first version of a text that will be expanded for the book This Is Television (forthcoming).
Video Chamber, 2011, from A Thousand Eyes: Media Technology, Law and Aesthetics edited by Marit Paasche and Judy Radul
About 2009, from The Rotterdam Dialogs, The Critics, The Curators, The Artists,
book available from Witte de With
How Responsive: on George Lewis, 2009, IKONS catalog, published by the city of Vancouver, more information
Interview with Mitch Speed in Woo, 2009, more information on ECU Woo magazine
I Come To Bury Caesar: The Image of Theatre in the Imagination of Visual Art. Art Lies, No. 60, Winter, 2008. Art Lies Magazine available here.
What was behind me now faces me: Performance, staging, and technology in the court of law. Originally published in Glanta magazine, 2007, here linked to Eurozine online.
Stage Fright, from the publication accompanying the exhibition Videodreams, Kunsthaus Graz, 2006,
Just Try It: Thoughts on Art and Science Experiments, Public Magazine, ed Susan Lord, Gary Kibbens, issue 25, 2002
Pickles and Peaches, 1973-2001 The Eternal Network, Western Front, 2001
Learning Performance, Art is All Over, ed. Karen Henry, Emily Carr Institute of Art and Design, 2000
Body Paint (Regina Kant), on Mina Totino, Morris and Helen Belkin Art Gallery, 1996, publication available from the Morris and Helen Belkin Art Gallery.
Writing Writing
Lying, The Click: Becoming Feminists, ed Lynne Crosbie, 1997
Kisses So Wet, The Kootenay School of Writing Anthology, ed. Andrew Klobucar, Michael Barnholden, 1999. Text written 1994.